The UK Corner

Urban Entertainment from a British perspective

The UK Corner concert review: Naughty by Nature and Ice Cube @ Indigo2

You never quite know what to expect from a Hip-Hop gig. Indigo2 had intense security. I wasn’t quite dressed for any raucous behaviour wearing sandals, but luckily, my feet escaped injury in the testosterone filled environment. This was the perfect playground for New Jersey’s reunited Naughty by Nature, who came to party!

Vin Rock

Vin Rock

Treach

Treach

The Grammy Award-winning trio performed all their hits including the infectious O.P.P. Amid the old school revival, they paid homage to their peers across genres when DJ Kay Gee (who brought us Koffee Brown and also worked with Zhane and Next), played DMX’s Up In Here, House of Pain’s Jump Around, B.O.B ft. Bruno Mars’ Nothin On You and Snoop and Pharrell’s Beautiful. Such was the diversity of the 2,400 strong audience — a mixture of races, ages and genders.

Treach and Vin Rock were on full form embracing role-play to excite the crowd. Tracks such as Craziest, a reworking of Bob Marley’s No Woman No Cry – Everything’s Gonna be All Right and It’s On, only added more fuel to the fire. Celebrating their 20 year anniversary; Naughty by Nature were keen to perform new material Flags and to plug their social media platforms, but the crowd were 100% invested in a live interaction with the Hip-Hop veterans.

The good vibes continued with Jamboree and Clap Yo Hands before Treach sipped on some Courvoisier while resisting chants to ‘down it.’ Soberly, Treach paid homage to Tupac who he acted alongside in Juice. Looking at his tattoo on his left arm he performed Hail Mary/Mourn You Till I Join You, which he wrote after Tupac died. Ashes to Ashes, Tupac’s California Love and a tribute to Biggie followed this while Treach warned about the dangers of allowing external forces into friendships.

But things turned ugly when Treach angrily reacted to a member of the audience who he alleged had given him the finger all night. After offering to replace the towel on the man’s face with his underpants, Treach calmed down and tipped his hat to the UK’s Slick Rick with a rendition of We Like to Party. Ending with their hits Feel Me Flow and Hip-Hop Hooray, they departed the stage.

Ice cube

Ice cube

It would take a special act to fill the vacuum they left. But despite the sound of his name, Ice Cube, 42, had not come to douse the flames of entertainment. Arriving to Issac Hayes’ Theme From Shaft, he was every bit blaxploitation with his mini Afro and Afro pick! If his words didn’t emphasize that he was representing’ the Westside, the glittery Ws on his shirt made the statement. The glitter extended to his trainers and he sparkled in his role as entertainer.

Alongside DJ Crazy Toones and rapper WC, he took the audience back to 1989, the days of NWA and beyond. Classics such as Straight out of Compton, Hello, Jack N The Box, Natural Born Killazs, Check Your Self, Why We Thugs, Can You Bounce, Smoke Some Weed, You Can Do It, Bow Down, Life In California, Go to Church and Bop Gun transcended time. His crip walking completed the gangster theme to the evening. With his expertise in acting, directing and producing, Ice Cube executed the show well, commandeering the stage with perfect timing and dramatically finishing tracks with each one punctuated by darkness.

Ice cube

Ice cube disturbing the peace

On a lighter note rapper WC performed a great track from his album Revenge of the Barracuda. While that was well received, the audience did not take too kindly to talk of a gig at Cardiff the previous night. While Ice Cube sung London’s praises, he asked his DJ how he was feeling explaining that his mood dictated the quality of music he would spin. When It Was A Good Day came on; the crowd knew DJ Loony Tunes was as elated as they were.

Having come on stage slightly late, Ice Cube was annoyed when he was asked to finish but defiantly, he performed two more tracks. The first She Couldn’t Make it On Her Own featured his son Doughboy (The name of Ice Cube’s Boyz n the Hood character, the  iconic film which celebrated it’s 20 year anniversary on 12 July) AKA Darryl, who is featured on his last album, I Am the West, and the second, Gangsta Nation, a tribute to the late Nate Dogg.

Leaving in the same style with which he arrived, Ice Cube’s closing theme song was The O’Jays’ Back Stabbers. While he offered to sign CDs and T-shirts in the back, ironically the audience was led out of a side door. But memories beat mementos; on their highly anticipated return to UK shores, these legends did Hip-Hop proud.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (3)

Music Potential

All roads lead to Music Potential on 21 July. For eight hours, this free event at Wembley Arena will give young people a taste of the music industry. Star of the show will be Wretch 32. Rising UK hip hop star Jermaine Scott, aka Wretch 32, is the  face of Music Potential – a partnership between Choice FM and Barclaycard Unwind. The initiative, run by the radio station’s youth project ‘I Have a Choice’, was set up to offer 16-25 year olds their first step toward a career in the music or radio industry. Free workshops will include music production, mixing, film making and vocal skills. The event caps a programme of training events for 900 young people; where wretch will take part in a Q&A session about his route into the music industry.

Find out how to make money and how to market your music. Budding stars can also submit a demo at the Music Potential event and be selected to win a professional recording session with Wretch32 at the Point Black studios .

Wrecth32

Wretch 32

Wretch 32, signed to Ministry Of Sound/Levels Recordings, is currently riding high in the UK charts with his latest single, Unorthodox, a collaboration with fellow rapper Example.  His tracks draw on his experiences growing up among the high rises of Tottenham’s Tiverton Estate and the notorious Broadwater Farm. His first major label single, Traktor, reached the UK Top 10 in January.

Wretch 32 says: “…It’s tough for kids growing up – so easy to make foolish choices. I’m behind anything that gives them a chance to achieve their dreams, get out of the situation they’re in…I’ve come out the other side and the music industry is a paradise for me – hopefully this will give other kids the chance to experience that too.” For more information visit: http://www.choice-fm.co.uk/life/music-potential/.

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The UK Corner concert review: J Holiday and Ginuwine @ indigo2

In her black and silver unitard, Nigerian singing sensation May7ven (AKA Yemisi May Odegbami) and her trio of backing dancers were the only females to grace the indigo2 stage. With May7ven, who performed Number and Hands Up as supporting act, perhaps it was no coincidence that her business partner DJ Abrantee was the compere for the night. The boisterous host mostly kept the crowd onside apart from insulting those standing with jibes about being too cheap to reserve seats!

But those downstairs were most excited when J Holiday arrived on stage. Looking casual, Holiday sang You Should Be With Me and Back Of My Lac over backing tracks mixed by his DJ. Not for the first time in the night there was a tribute to Jodeci with Freak You. But Holiday struggled to take the audience back in time alongside his attempt to capture their attention in the present moment.

 

J Holiday

J Holiday

Without Holiday taking full advantage of his space, there was too much room for his entourage to distract. To the side were no less than three videographers of some description capturing personal footage.

His hype man was humorous as he mimed and wandered around the stage. He took initiative to grab posters from the audience for Holiday to autograph. But he was also responsible for launching the ‘missiles’, which flew into the audience and provoked desperate fans to fight over sweaty towels!

Singing the virtues of smoking, Holiday 27, attempted an ‘acoustic’ moment – over synthesised beats he sang Hydro and a snippet of Musical Youth’s Pass The Dutchie. Young girls buzzed as he teased them with a partial strip to the sounds of Mary Jane, before premiering the first live performance of Suffocate but the finale was most anticipated; his biggest hit Put You To Bed.

 

Ginuwine

Ginuwine

The audience was far from ready to sleep. While some scurried off to fulfill earlier Twitter requests for pictures with J Holiday; the rest of the crowd eagerly awaited Ginuwine. But the wait was elongated by the presence of Ricky Rush The Rook (and a third singer who shall remain nameless because the DJ came in too soon and an irritated Ginuwine did not have enough time to complete his name check) who sang R. Kelly’s Bump and Grind as they attempted to arouse the crowd. Despite their low mics they performed powerful harmonies.

Kicking off with Same Old G, Ginuwine wanted the fans to know that nothing had changed. From Stingy to Hell Yeah he displayed the same vocal prowess and visual enchantment, which has anchored his place in music over the last fifteen years.

Effortlessly, he worked the stage challenging the ladies to profess their love for him, but when their exclamations failed to meet the grade, he walked off. Back in all white, he launched into None Of Your Friends Business followed by So Anxious.

 

Ginuwine

Ginuwine thrills

He reprised Jodeci’s Freak You, which then morphed into Those Jeans. Ginuwine’s set was short but sweet as a promotional vehicle for his latest album Elgin. He performed a cut from it – Drink of Choice – that in his own words ‘did not do what he had wanted’, but Ginuwine was understanding as he noticed that few people in the audience knew the lyrics.

Before departing the stage, Ginuwine acknowledged personal triumphs and tragedies – the subject of his new reality show, before paying tribute to the man who inspired his career – Michael Jackson!

Once he had his special white and gold trainers, the DJ played The Way You Make Me Feel, Don’t Stop Till You Get Enough and Billie Jean while Ginuwine danced and mimed. He continued the party vibes with his biggest hit Pony and left the audience riding on a wave of nostalgia. Though few embraced his offer of paying £5 to take a picture with him, Ginuwine still paints a portrait of an underrated performer.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (9)

The UK Corner theatre review: Fixer @ Oval House

Lydia Adetunji’s political play Fixer starts slowly. With a weighty storyline, Adetunji must get the pace just right. She manages this feat with impressive direction by Dan Barnard and Rachel Briscoe. In a simple set with only airline passenger seats and a crate of Guinness, they transport the audience to northern Nigeria.

The minimalism is enhanced by the energy embodied in sound and lighting effects, which frame each scene. Scenes are further charged with kinetic energy as the dynamic cast run, walk and kneel around the periphery of the stage. The atmosphere is electric and, electrocuted; the audience remains transfixed for the duration of the play.

Fixer cast

The cast of Fixer

Fixer appeals in every direction. It references left wing environmentalism and right wing economics. Centering on geopolitics and the media frenzy around an attack on a new oil pipeline, the play highlights the spin put on militancy.

In the struggle for the inside scoop, fixer Chuks (Richard Pepple) puts his life at risk as go-between for foreign correspondents and local groups. The role is financially lucrative but dangerous. In a world where corruption and bribery is rife, Chuks takes his chance to make a better life for himself and his sick daughter.

Fixer

L to R: Damola Adelaja as Laurence, Alex Barclay as Dave and Richard Pepple as Chucks

As a former journalist, Adetunji’s drama insightfully questions journalistic integrity and the price of human life amid ego driven career climbing. While the journalists use their contacts, capital and cultural heritage to advance, locals must rely on their wits.

With so many journalists as part of cast and crew, Fixer provides the perfect mouthpiece to frankly explore the ongoing issues of Nigerian activism and petroleum politics. This is an important play on important issues.

Fixer runs Tuesdays – Sundays at 7.45pm, until 10 July. Tickets are £14.00/£7.00 concessions. For more on Fixer, visit Oval House Theatre’s website.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Theatre and have Comment (1)

The UK Corner theatre review: Six Rounds @ Lost theatre

At the start of John Oluwole Adekoje’s play, the main character Ace (Anthony Vander), in his underpants alone, recounting the lifetimes of a black man from slavery to civil rights and beyond, seems to promise a spiritual reconnection with ancestry and a tale of rites of passage. The posters though, are more befitting of the plot.

In this round, the American ‘boxer’, Ace is in the fight of his life to live and be alive. But his opponents in the ring of life are an abusive father Moses (Darren Raymond), a criminal and disabled brother Solo (Tommy Coleman), a wife Amy (Eliza Anderson) wanting a baby and to break away from his family, and a mother Rebekah (Nakeba Buchanan who starred in Dead Man Running alongside 50 Cent) and sister Trisha (Dubem Nuabe), who are desperate to break a cycle of abuse and poverty.

Six Rounds

L to R: Anthony Vander as Ace and Tommy Coleman as Solo

The largely British cast (Coleman is the only American) pulls off American accents well. But with such a large cast accompanied by a complex storyline, the audience must work hard to stay aboard Adekoje’s ship. The wind in its sails is fanned by Coleman’s quips and Buchanan’s presence among other things. But the audience is left wanting more from the characters.

 

Six Rounds

L to R: Chrish Mitchell as Detective and Anthony Vander as Ace

Though stories of gun crime, race and ‘snitching’ are old territory, what is most fresh about the play is the way that Director Prav MJ presents the next generation of the family. The mysterious boy played by Caleb Frederick awaits his calling and has you guessing about his identity.

The stage is sparse except for the turntables and graffiti by artist EdgE: ‘Life’, ‘Chaos’, ‘Death’. A raw hip-hop soundtrack is characterised in the play by DJ Elegba – hype man and referee. Hip-hop complements Adekoje’s poetic style well.

With the likes of Hollywood actor Idris Elba rumored to be catching the show it may be worth buying a ticket while there are still some left!

Six Rounds continues at the Lost Theatre until 2 July. Tickets are £7 / £5 concessions. Show starts 7.30pm. For more on Six Rounds visit: www.pravmjdirect.com

Copyright © 2011 The UK Corner. All Rights Reserved.

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