The UK Corner

Urban Entertainment from a British perspective

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The UK Corner concert review: J Holiday and Ginuwine @ indigo2

In her black and silver unitard, Nigerian singing sensation May7ven (AKA Yemisi May Odegbami) and her trio of backing dancers were the only females to grace the indigo2 stage. With May7ven, who performed Number and Hands Up as supporting act, perhaps it was no coincidence that her business partner DJ Abrantee was the compere for the night. The boisterous host mostly kept the crowd onside apart from insulting those standing with jibes about being too cheap to reserve seats!

But those downstairs were most excited when J Holiday arrived on stage. Looking casual, Holiday sang You Should Be With Me and Back Of My Lac over backing tracks mixed by his DJ. Not for the first time in the night there was a tribute to Jodeci with Freak You. But Holiday struggled to take the audience back in time alongside his attempt to capture their attention in the present moment.

 

J Holiday

J Holiday

Without Holiday taking full advantage of his space, there was too much room for his entourage to distract. To the side were no less than three videographers of some description capturing personal footage.

His hype man was humorous as he mimed and wandered around the stage. He took initiative to grab posters from the audience for Holiday to autograph. But he was also responsible for launching the ‘missiles’, which flew into the audience and provoked desperate fans to fight over sweaty towels!

Singing the virtues of smoking, Holiday 27, attempted an ‘acoustic’ moment – over synthesised beats he sang Hydro and a snippet of Musical Youth’s Pass The Dutchie. Young girls buzzed as he teased them with a partial strip to the sounds of Mary Jane, before premiering the first live performance of Suffocate but the finale was most anticipated; his biggest hit Put You To Bed.

 

Ginuwine

Ginuwine

The audience was far from ready to sleep. While some scurried off to fulfill earlier Twitter requests for pictures with J Holiday; the rest of the crowd eagerly awaited Ginuwine. But the wait was elongated by the presence of Ricky Rush The Rook (and a third singer who shall remain nameless because the DJ came in too soon and an irritated Ginuwine did not have enough time to complete his name check) who sang R. Kelly’s Bump and Grind as they attempted to arouse the crowd. Despite their low mics they performed powerful harmonies.

Kicking off with Same Old G, Ginuwine wanted the fans to know that nothing had changed. From Stingy to Hell Yeah he displayed the same vocal prowess and visual enchantment, which has anchored his place in music over the last fifteen years.

Effortlessly, he worked the stage challenging the ladies to profess their love for him, but when their exclamations failed to meet the grade, he walked off. Back in all white, he launched into None Of Your Friends Business followed by So Anxious.

 

Ginuwine

Ginuwine thrills

He reprised Jodeci’s Freak You, which then morphed into Those Jeans. Ginuwine’s set was short but sweet as a promotional vehicle for his latest album Elgin. He performed a cut from it – Drink of Choice – that in his own words ‘did not do what he had wanted’, but Ginuwine was understanding as he noticed that few people in the audience knew the lyrics.

Before departing the stage, Ginuwine acknowledged personal triumphs and tragedies – the subject of his new reality show, before paying tribute to the man who inspired his career – Michael Jackson!

Once he had his special white and gold trainers, the DJ played The Way You Make Me Feel, Don’t Stop Till You Get Enough and Billie Jean while Ginuwine danced and mimed. He continued the party vibes with his biggest hit Pony and left the audience riding on a wave of nostalgia. Though few embraced his offer of paying £5 to take a picture with him, Ginuwine still paints a portrait of an underrated performer.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (9)

The UK Corner concert review: Fantasia @ Indigo2

Following PAs by Cherri V, Raymond & Co and Cynthia Erivo, at 9.45pm, fans may have feared that Fantasia wasn’t going to provide value for money but her set made the hour and 15 minutes that she was on stage seem elastic.

In an understated summer dress, Fantasia left the little black dress to her backing singer and kicked off her shoes though she temporarily left on her bling. Her comfortable look may fuel rumours that she is pregnant, but the way she bounced around the stage until her petticoat was showing may suggest otherwise.

Opening the set with Free Yourself followed by Man of The House, Fantasia soon had the crowd energised. With her warm and humorous girl next door attitude, Fantasia gibed about the security railings which separated the fans from the stage saying that she had threatened to walk off stage the last time she saw them.

She was in no mood for distance as she launched in the Motown tinged Collard Greens and Cornbread. This only got the crowd hungry for more of her heartfelt soul. Her facial expressions alone proved how much passion Fantasia was putting into her performance.

Fantasia

Fantasia

iPads and mobile phones tried to capture the moments but Fantasia has talent that is uncontainable. I entered the gig not knowing what to expect. Being impressed by her first two albums and her performance on American Idol, after all the gossip I’d seen about her online, I had forgotten what had made her famous.

What was special about her set was the sprinkling of odes to the music she had a personal connection with. From fragments of SWV’s Rain to Missy’s I Can’t Stand the Rain. This meteorological theme may symbolise the torrential weathering that Fantasia has endured.

But as in life Fantasia played on emotionally singing autobiographical material such as I’m His Only Woman through trembling lips. Fantasia came determined to satisfy all extremes of her diverse audience so it should perhaps be no surprise that she performed Prince’s Kiss. This was the perfect soundtrack to her jamming session and reason enough to kick off her shoes.

With the party truly started, she continued with her own material including the popular When I See You. Acknowledging those in the audience who like to be coy in showing their appreciation, Fantasia was underscored by her first cousins K-Ci and JoJo’s Get On Up, which was mixed with Overnight Scenario. This was followed by a snippet of Soul II Soul’s Back to Life.

Fantasia

Fantasia goes all out!

Fantasia’s vocals were superb and all the more uplifting to hear knowing she had survived a tumour on her vocal cords. Despite the odd sound problem, she shined as she continued with Teach Me and more jokes! She easily built a rapport with the crowd who were moved by her stirring rendition of Bob Marley’s No Woman No Cry, which was all too short.

But Fantasia has her own quality material to perform not least the Grammy award winning Bittersweet, which won her the Award for Best Female R&B Vocal Performance this year. Having arrived on stage with Grammy in hand, Fantasia had set the tone for an outstanding night.

Before the night was out she promised to take the audience to church and with I’m Doing Me, she did, after proclaiming that she no longer lives her life for folk! Her songs take on quite the confessional edge and she professed that she did not need a microphone as she gave her testimony. She really brought the house down when with a tearful and spine-tingling rendition of Even Angels.

To warm us up, Fantasia took us back to her first album to get up-tempo. Though she professed that the men in the audience may not like the song, she committed to her performance of Baby mama to the delight of the women in the audience. Perhaps to win the men back over, she sought a man to hold her, but when the offers came in she shied away saying she was ‘scarred’!

Fantasia

All eyes on Ms Barrino

She briefly went back to her Idol days with a too short performance of Summertime but as a silver lining to this cloud, her next song was the hit single Hood Boy. Having earlier hinted to her opposition to being separated from her fans, Fantasia got off stage to take photos and sing directly in front of the first row.

This was a polished set; Fantasia’s only failing was that she did not name check her extensive band featuring (two male and one female) backing singers, two keyboardists, a drummer, a guitarist, a trumpeter and a saxophonist, who like sorcerers, further fuelled the magic.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (15)

The UK Corner concert review: Eric Benét @ Indigo2

Jeans, blazer, waistcoat, shirt, tie, shades; smart and sophisticated was the dress code for Eric Benét at this appearance at the Indigo2. Usually a resident at the Jazz Café, Benét transferred his intimate show to a larger venue without losing any intimacy. His falsetto alone can command attention in any environment. With the Furious Five as his backing band (John Rich – musical director/keys, Afton ‘AJ’ Johnson – bass, Johnny Johnson – guitar, John McVicker – drums/background vocals), Benét effortlessly entranced the audience singing hypnotic songs such as When You Think Of Me.
With charm and wit, the mesmerizing audio-induced trance was broken intermittently when a talkative Benét shared his musings even hinting at his initial meeting with his ex-wife Halle Berry. Laced with love, his set was the perfect backdrop for couples in the audience who embraced and danced to the romantic grooves.
Chocolate Legs from the Love and Life album got the whole crowd excited as Benét joked about the fans that had questioned his selective song title. He assured them that it was inclusive not exclusive referencing the array of chocolate available from caramel to butterscotch to Latin flavoured chocolate and Wasabi flavoured chocolate!

Eric Benét

Eric Benét just getting started!

The sweetness and diversity of Benét’s vocal ability can rival any type of confectionary. Many of the ladies in the audience would happily forfeit chocolate for Benét. There is one lady besides his fiancé Manuela Testolini who perhaps was the envy of all for she shared the stage with him. Leah Labelle was the sole backing singer. The Bulgarian star of American Idol took the reigns to sing the lyrics made famous by Tamia on the Grammy nominated wedding favourite Share My Life.
Milwaukee, Wisconsin native Benét continued his stellar performance going back to his first album True to Myself with the funky Spiritual Thang before bringing things up-to-date with the melancholy Sometimes I Cry and the haunting Never Want To Live Without You.
As a prelude to songs from his latest album Lost in Time which is tinged with seventies soul, Benét, 40, denounced the heavy reliance on modern technology and auto tune and praised the value of music which hits the heart – relying on real instrumentation and vocal ability. He preached to the converted who echoed his advocacy of passion over profit. Responsive, he not only took off his shades he was also open to requests. Jumping off the stage to shake hands and take photos it was at times hard to see the star but he kept shining.

Eric Benét

Benét the star...

It wasn’t all jazzy slow jams; Benét knows how to party and the energetic Feel Good, with Labelle taking Faith Evan’s part, and Weekend Girl, were the perfect soundtrack for the fiesta. The party threatened to end early when Benét left the stage but the audience demanded an encore not least because two of his most popular tracks from his second album A Day In The Life had yet to be sung.
The screams and applause were rewarded with the Latin infused Why You Follow Me which exceeds it’s infectious nature live. The party was in full swing now complete with steamy salsa dancing from Benét and the lucky Labelle. Georgey Porgy gave Labelle another chance to step into Evan’s shoes as she took her vocals but his time the duet became a threesome with the crowd enlisted for the chorus having warmed up with scales earlier! The temperature dipped a little when Benét revealed a little too much about one of his band members during their introductions. But if it was a bad move to get too personal it was a better move to pay homage to the King of Pop with a rendition of Michael Jackson’s Billie Jean. He may have ended with borrowed material but for 90 minutes Benét was unashamedly his soulful self. What more could you ask for?

Eric Benét

Just Benét, just his way!

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (2)