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The UK Corner DVD review: Meet the Adebanjos

The billboard posters around London announced the arrival of The Adebanjos online. The image does its job in enticing people to meet the clan. On Sunday 26 June, thousands of viewers were expected to head to www.MeetTheAdebanjos.com, to officially meet the fictional British Nigerian family. The “leaked” trailer commanded over 20,000 youtube views and thousands of positive comments.

Viewers of the sitcom will not be disappointed with their new acquaintance. This family from Peckham, South London is charming and infectious. From the first episode of the two DVD box set, we meet recognisable characters: the Traditional father Bayo 45, (the seasoned Wale Ojo), his religious wife Gladys 40, (Yetunde Oduwole), his daughter Sade 17, (Andrea Aboagye), his son Tobi 15, (Daniel Anthony), and aunty Funke 48, (the naturally funny Moji Bamtefa).

An unforgettable love seeking widow, Aunty Funke’s eye shadow alone clashes with the brightly coloured décor of the Adebanjo household. But it is her confident personality, which really clashes with patriarch Bayo. Understandably, Bayo resents his lodger – he has his hands full with his blood relatives. Fun loving Sade, an energetic student of fashion who moans that life is unfair, her cheeky younger brother Tobi who plays the ladies as much as his computer games, and Gladys, Bayo’s ‘sweet potato’ who is weary of his hapless calamities. The line up is completed with sleazy Pentecostal ‘Pastor’ Michael, AKA comedian Simply Andy, Cousin Femi (Tolu Charles Ogunmefun) fresh from Nigeria known as ‘Don’t Jealous Me’, reggae loving tutor Greg (comedian Lateef Lovejoy), and a cameo by East London singer Dele. Season one explores the Adebanjo struggles as a blue-collar family. What they lack in material wealth they make up for in family bonds. The love spreads to needy neighbour Kevin (Jordan Coulson), Tobi’s friend who has a crush on Sade.

West meets West Africa. Grime competes with hi-life; pepper soup competes with beans on toast and cultural references spice up the script. African art, African print curtains, African music and African headdress, add a touch of authenticity to the set.

This family bring a fresh guise to comedy’s wardrobe. MTA productions and Fresh Media Productions challenge stereotypes of Nigerian culture. Though the storylines are somewhat predictable and familiar with scams, forgotten anniversaries, and downtrodden spouses. However, the melodramatic show is well written and cast. It is understandable that the BBC has shown interest in broadcasting this engaging and entertaining show. In some respects it resembles a black version of the hit sitcom My Family. Well produced aside from a few rough edits, the show was filmed in a live studio set in Clapham, South London. It is refreshing from the graphics to the subtle but positive messages about beauty, education, health and family values.

Show producer Debra Odutoyo cites The Cosby Show and My Wife and Kids as inspiration saying there was a need to fill the void of a British African experience. However, Meet The Adebanjos reminded me of the late Ghanaian actor Gyearbuor Asante’s role of the Nigerian Matthew in the nineties British sitcom Desmonds (also set in Peckham). With Meet The Adebanjos we don’t get a single character experience; we learn about the collective story of Nigerian culture across genders and ages. In a multitude of voices and Pidgin English, the West African dialect is captured. “You don’t know me”, “Yes I can”, “My friend, get me food sharp sharp,” “You’re welcome”; the dialogue brings to life the Nigerian story of immigration across the globe.

The producers’ journey to bring the show to fruition is commendable. Germinating from 26-year-old creator and producer Debra Odutuyo’s father’s chance meeting on a plane from Nigeria to London in the seventies, Meet the Adebanjos was to reflect Odutuyo’s life in South London. After spending three years developing the concept and pitching it to major TV Networks, in 2009 she resorted to selling her car and moving out of her flat to raise the money to produce the series herself.

It would only fund the pilot but her determination and vision impressed her childhood friend – the son of her Dad’s long-time friend, former trader Andrew Osayemi also 26, who decided to establish MTA Productions, to realise her vision. Soon they were able to raise the investment needed to produce a full season independently. The new model to fund such innovation is the DVD box set featuring eight episodes.

Odutuyo says, “The response for the show has been amazing. This just goes to show what can be achieved if you dare to be different and think outside the box…My goal is to be the Tyler Perry of the UK! This revolution will be televised. Or at least, it will be at www.MeetTheAdebanjos.com.” Support the cause to ensure that now you have met the Adebanjos, you don’t lose touch. If you haven’t yet seen the show, heed the signature cockerel’s call and wake up!

Meet the Adebanjos, the special edition DVD Box set with cast interviews and a look behind the scenes is priced £19.99 and is available at http://shop.meettheadebanjos.com/. Run Time: 230 minutes.

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Good hair gone bad?

Brixton’s Ritzy Cinema is buzzing with excitement ­– the foyer is overflowing with people keen to watch, or re-watch, Good Hair – Chris Rock’s inspired documentary, which won the Special Jury Prize at the Sundance Film Festival. To add to the electrifying atmosphere, ‘the Rock’ is in the building and will be fielding questions after the film.

Powerful as it is, the film is informative, provocative and of course hairlirious! Rock is a natural documentarian and it should come as no surprise considering that his stand-up has always involved social commentary.

On this occasion black hair is under the microscope. Rock has faced a backlash from some who complain that he is washing ‘our dirty linen in public’. Indeed his appearance on the Graham Norton show in May caused a stir when he commented on Michelle Obama’s hair. Some felt that this was out of line and he was somehow exposing her.

Now while no woman would want all their beauty secrets revealed, black women shouldn’t feel ashamed about dying their hair, wearing weaves, wigs or hair pieces because such hair options are increasingly used by women of all ethnicities. Hairdresser Andrew Collinge commissioned a survey, which revealed that the average British woman changes her hairstyle 104 times in her lifetime. The main reasons being “boredom'” with their current look or the end of a relationship.

However, the film can easily be misunderstood. At the Ritzy when a white man stood up to ask Rock a question, he wanted to make himself heard amid the background noise. He jokingly referenced his own hair saying “Good Hair” as a license to speak. As the pantomime boos erupted Rock warned him that the place was liable to descend into a football match…

The idea has often been kicked around that black women wear weaves etc because they want to meet western standards of beauty and have issues with identity. In the film Rock passes no judgment but he has said that if the film could make one difference, he hopes kiddie perms could be removed from shelves.

“When it comes to kids you do go, ‘Wow! Are you nuts?’ The little girl in the chair with all that relaxant (sodium hydroxide) in her hair! And she wasn’t even crying. She’s had so much of it that she’s actually used to it. Her head has a high tolerance for burning. Stuff like that makes me go, ‘Why are you putting that in a little girl’s hair?”

Chris Rock

Chris Rock oversees an early application of relaxer

The film was inspired by Rock’s daughter Lola who asked, ‘Daddy, how come I don’t have good hair?” But the kernel for the film was planted years before. He says, “It was over 20 years ago, and I was in Atlanta and I stumbled across the Bronner Bros hair show. I thought straightaway that it was a movie, but back then they weren’t doing funny documentaries. There was no reality TV shows. No Internet. It was another world. So you jump ahead to now, and my daughters are having hair issues, saying, ‘How come I don’t have good hair?’ meaning, hair like they see in the media, not African hair, and I start to think, Maybe I can do a movie about that hair show now?”

But what is Good Hair? It has often been perceived as hair that is manageable and long. Biblically, your hair is your crown and glory. Imagine if you had alopecia or lost your hair due to chemotherapy, wouldn’t you simply miss your own hair whatever it was like? It is true that weaves and extensions can damage your hair through causing undue tension. Pictures of Naomi Campbell in June were testimony to this fact.

Renee Lagrange of the Black Hair Clinic in Harley Street is a Trichologist specialising in black hair, she says, “Good Hair is by definition healthy hair which will retain length and full density. The key to healthy hair is hydration. If you want “Good Hair” you have to work hard at it and be consistent.”

Hair can be a delicate subject but Rock, who has sported several hairstyles over the years including Jheri Curl, is never one to shy away from controversy. He makes jokes about public personas such as Prince.

Rock says, “… You don’t want to hurt anyone. I knew people would all be sensitive about their hair. So no one got hurt. Unless Prince is mad. But I haven’t spoken to him in a while…

“When I’m doing a show, I think a show where people are a little pissed off in the middle is a better show then a show where everybody’s just laughing mindlessly for a whole hour. I want them happy, I want them sad, and I want them clapping, and booing. That’s a show. That’s a journey.”

In the film, several celebrities speak candidly about hair including Salt n Pepa, who reveal where Pepa’s distinctive asymmetric hair style evolved from and Nia Long who debates the impact of hair and dating. Rock has had longstanding relationships with many of the celebrities, and his credits as a Director and Producer on his show Everybody Hates Chris meant that few said no, but there were exceptions.

Chris Rock in the salon

Would you say no to Chris?

“I tried to get Diana Ross, because a lot of people talked about Diana Ross on camera. But we had to cut it out in the end, because she didn’t want to do it, and it didn’t seem right to have them talking about her without her commenting on it. Plus, it’s a documentary, and you’re asking for people’s time, and you’re not paying them for it. Someone like Diana Ross has a right to stay in her house.”

But it is not only stars that are contributing to America’s multi-billion dollar black hair industry. Rock encounters everyday people on his whistle stop tour through beauty salons and barbershops who invest a lot of money in weaves.

Members of the audience at the Ritzy wondered if Rock was moved to invest in the infrastructure of the industry and move it out of the hands of Asian business people but as Rock said, it is literally their hair that is being sold!

His most intriguing characters are part of the hairstyling battles that were reminiscent of the Afro Hair and Beauty Show. But while they make you smile, the people he meets in the scientific laboratories that demonstrate the destructive nature of relaxers or ‘creamy crack,’ and his visit to an Indian temple to see where the human hair originates, makes you wonder if the sacrifices are worth it.

Perhaps the most disturbing scene is when Rock goes into a hair shop and tries to sell real Afro hair and they decline his offer saying it wouldn’t sell. I was saddened when I once saw young girls on the bus mocking a girl because she had her hair out in an Afro and they felt it was unkempt. I wondered if we as their elders owed it to them to embrace our natural selves and remind them how beautiful it can be.

It would be sad if the next generation sees the iconic symbolism of Angela Davis’ Afro as passé. In the film, a young student said an Afro would not be suitable for the workplace. But an Afro should be seen as empowering not threatening. This was a sentiment that I tried to express in my poem I am My Hair published in Nicole Moore ‘s Hair Power Skin Revolution.

Rock did not set out to define what good hair is but why his daughter felt the need to ask the question. He doesn’t tell women how to wear their hair noting that both his wife and mother had relaxed their hair at sometime, the film is not a crusade to encourage black women to grow locks. Instead he encourages women to do what feels right for them.

posted by The UK Corner in Film, DVD and TV,Hair and beauty and have Comments (10)