The UK Corner

Urban Entertainment from a British perspective

Archive for June, 2011

The UK Corner concert review: J Holiday and Ginuwine @ indigo2

In her black and silver unitard, Nigerian singing sensation May7ven (AKA Yemisi May Odegbami) and her trio of backing dancers were the only females to grace the indigo2 stage. With May7ven, who performed Number and Hands Up as supporting act, perhaps it was no coincidence that her business partner DJ Abrantee was the compere for the night. The boisterous host mostly kept the crowd onside apart from insulting those standing with jibes about being too cheap to reserve seats!

But those downstairs were most excited when J Holiday arrived on stage. Looking casual, Holiday sang You Should Be With Me and Back Of My Lac over backing tracks mixed by his DJ. Not for the first time in the night there was a tribute to Jodeci with Freak You. But Holiday struggled to take the audience back in time alongside his attempt to capture their attention in the present moment.

 

J Holiday

J Holiday

Without Holiday taking full advantage of his space, there was too much room for his entourage to distract. To the side were no less than three videographers of some description capturing personal footage.

His hype man was humorous as he mimed and wandered around the stage. He took initiative to grab posters from the audience for Holiday to autograph. But he was also responsible for launching the ‘missiles’, which flew into the audience and provoked desperate fans to fight over sweaty towels!

Singing the virtues of smoking, Holiday 27, attempted an ‘acoustic’ moment – over synthesised beats he sang Hydro and a snippet of Musical Youth’s Pass The Dutchie. Young girls buzzed as he teased them with a partial strip to the sounds of Mary Jane, before premiering the first live performance of Suffocate but the finale was most anticipated; his biggest hit Put You To Bed.

 

Ginuwine

Ginuwine

The audience was far from ready to sleep. While some scurried off to fulfill earlier Twitter requests for pictures with J Holiday; the rest of the crowd eagerly awaited Ginuwine. But the wait was elongated by the presence of Ricky Rush The Rook (and a third singer who shall remain nameless because the DJ came in too soon and an irritated Ginuwine did not have enough time to complete his name check) who sang R. Kelly’s Bump and Grind as they attempted to arouse the crowd. Despite their low mics they performed powerful harmonies.

Kicking off with Same Old G, Ginuwine wanted the fans to know that nothing had changed. From Stingy to Hell Yeah he displayed the same vocal prowess and visual enchantment, which has anchored his place in music over the last fifteen years.

Effortlessly, he worked the stage challenging the ladies to profess their love for him, but when their exclamations failed to meet the grade, he walked off. Back in all white, he launched into None Of Your Friends Business followed by So Anxious.

 

Ginuwine

Ginuwine thrills

He reprised Jodeci’s Freak You, which then morphed into Those Jeans. Ginuwine’s set was short but sweet as a promotional vehicle for his latest album Elgin. He performed a cut from it – Drink of Choice – that in his own words ‘did not do what he had wanted’, but Ginuwine was understanding as he noticed that few people in the audience knew the lyrics.

Before departing the stage, Ginuwine acknowledged personal triumphs and tragedies – the subject of his new reality show, before paying tribute to the man who inspired his career – Michael Jackson!

Once he had his special white and gold trainers, the DJ played The Way You Make Me Feel, Don’t Stop Till You Get Enough and Billie Jean while Ginuwine danced and mimed. He continued the party vibes with his biggest hit Pony and left the audience riding on a wave of nostalgia. Though few embraced his offer of paying £5 to take a picture with him, Ginuwine still paints a portrait of an underrated performer.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (9)

The UK Corner theatre review: Fixer @ Oval House

Lydia Adetunji’s political play Fixer starts slowly. With a weighty storyline, Adetunji must get the pace just right. She manages this feat with impressive direction by Dan Barnard and Rachel Briscoe. In a simple set with only airline passenger seats and a crate of Guinness, they transport the audience to northern Nigeria.

The minimalism is enhanced by the energy embodied in sound and lighting effects, which frame each scene. Scenes are further charged with kinetic energy as the dynamic cast run, walk and kneel around the periphery of the stage. The atmosphere is electric and, electrocuted; the audience remains transfixed for the duration of the play.

Fixer cast

The cast of Fixer

Fixer appeals in every direction. It references left wing environmentalism and right wing economics. Centering on geopolitics and the media frenzy around an attack on a new oil pipeline, the play highlights the spin put on militancy.

In the struggle for the inside scoop, fixer Chuks (Richard Pepple) puts his life at risk as go-between for foreign correspondents and local groups. The role is financially lucrative but dangerous. In a world where corruption and bribery is rife, Chuks takes his chance to make a better life for himself and his sick daughter.

Fixer

L to R: Damola Adelaja as Laurence, Alex Barclay as Dave and Richard Pepple as Chucks

As a former journalist, Adetunji’s drama insightfully questions journalistic integrity and the price of human life amid ego driven career climbing. While the journalists use their contacts, capital and cultural heritage to advance, locals must rely on their wits.

With so many journalists as part of cast and crew, Fixer provides the perfect mouthpiece to frankly explore the ongoing issues of Nigerian activism and petroleum politics. This is an important play on important issues.

Fixer runs Tuesdays – Sundays at 7.45pm, until 10 July. Tickets are £14.00/£7.00 concessions. For more on Fixer, visit Oval House Theatre’s website.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Theatre and have Comment (1)

The UK Corner theatre review: Six Rounds @ Lost theatre

At the start of John Oluwole Adekoje’s play, the main character Ace (Anthony Vander), in his underpants alone, recounting the lifetimes of a black man from slavery to civil rights and beyond, seems to promise a spiritual reconnection with ancestry and a tale of rites of passage. The posters though, are more befitting of the plot.

In this round, the American ‘boxer’, Ace is in the fight of his life to live and be alive. But his opponents in the ring of life are an abusive father Moses (Darren Raymond), a criminal and disabled brother Solo (Tommy Coleman), a wife Amy (Eliza Anderson) wanting a baby and to break away from his family, and a mother Rebekah (Nakeba Buchanan who starred in Dead Man Running alongside 50 Cent) and sister Trisha (Dubem Nuabe), who are desperate to break a cycle of abuse and poverty.

Six Rounds

L to R: Anthony Vander as Ace and Tommy Coleman as Solo

The largely British cast (Coleman is the only American) pulls off American accents well. But with such a large cast accompanied by a complex storyline, the audience must work hard to stay aboard Adekoje’s ship. The wind in its sails is fanned by Coleman’s quips and Buchanan’s presence among other things. But the audience is left wanting more from the characters.

 

Six Rounds

L to R: Chrish Mitchell as Detective and Anthony Vander as Ace

Though stories of gun crime, race and ‘snitching’ are old territory, what is most fresh about the play is the way that Director Prav MJ presents the next generation of the family. The mysterious boy played by Caleb Frederick awaits his calling and has you guessing about his identity.

The stage is sparse except for the turntables and graffiti by artist EdgE: ‘Life’, ‘Chaos’, ‘Death’. A raw hip-hop soundtrack is characterised in the play by DJ Elegba – hype man and referee. Hip-hop complements Adekoje’s poetic style well.

With the likes of Hollywood actor Idris Elba rumored to be catching the show it may be worth buying a ticket while there are still some left!

Six Rounds continues at the Lost Theatre until 2 July. Tickets are £7 / £5 concessions. Show starts 7.30pm. For more on Six Rounds visit: www.pravmjdirect.com

Copyright © 2011 The UK Corner. All Rights Reserved.

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Hair raising tips for your child’s hair

Hair artist Marcia Hamilton has famously worked with ten-year-old Willow Smith, whom she accompanied on tour with Justin Beiber in March. The sophisticated hairstyles which Smith has sported in her Whip Your Hair back video have led to some critics asking if hairstyles should have age certifications. Below is Hamilton’s guide to the rules to follow and break with your child’s hair.

Marcia Hamilton

Marcia Hamilton by Kawai Matthews (AirPhilosophy.com)

Regimes

As well as the wide tooth comb, the hair oil and the satin headscarf, managing your child’s hair takes time and attention; enter the hairdresser who can help define your child’s hair texture and treatment for it. Hamilton says: “I think parents should take their child to a professional at least every three or four months to have their hair conditioned and trimmed. Hair like ours tends to get dry very quickly and when you comb the hair it breaks because it’s so brittle and you get split ends and your hair will never have the chance to grow.”

There are other advantages to working with professionals as Hamilton explains: “A hair stylist lets you know where your child’s hair is at; I think sometimes parents get very busy and that child is left combing their own hair. I remember one of my friends decided to trust her daughter to take care of her hair. One day she combed it herself and found a dread in the back so we need to definitely keep on top of what’s going on!”

Products

In these austere times, paying a hairdresser can be hard so it is important for parents to familiarise themselves with the best products to use. Hamilton does not endorse any specific brand but she has advice about the ingredients you should look for. She says: “You want to choose a moisturising conditioner. Depending on the styles you do on your child’s hair, I would suggest you go a little more natural. Because your child’s hair is so gentle and sensitive, you should sulphate-free shampoo so that the natural oils aren’t stripped out of the hair.”

For a moisturising conditioner and sulphate-free shampoo try Phillip Kingsley’s Moisture Extreme shampoo and conditioner which have been created specifically for all variations of ethnic hair.

Moisture Extreme Shampoo £14.30

Moisture Extreme Conditioner £17.40

Styling

Pigtails and canerows no longer define little black girls. Increasingly their emblems are relaxers. Hamilton says: “I think as far as relaxing hair goes, if you’re not a teenager I don’t think you should because your hair structure has not fully developed yet. I think that before applying harsh chemicals you should definitely give it a minute.”

All types of pressure on the hair should be minimised from heat to tight hair bands. Hamilton explains: “Over my years I’ve noticed children who get their hair pulled too tightly starting to develop traction alopecia – thin hair around the perimeter of their head. Parents, do your self a favour and don’t brush or pull so tightly.

“When you’re getting braids be more gentle around the hairline and make bigger sections. Try different styles so not to get their hair accustomed to one thing and to avoid traction alopecia.”

With new young style icons emerging such as Willow Smith, parents are facing dilemmas about how to style their children’s hair. Smith is a singer and actress with superstar parents. Surely this gives her a license to have extreme hairstyles? Hamilton says: “When working with Willow, I usually like to create on what she is feeling in that moment depending on if it’s a red carpet event or if it’s a photo shoot. I build around the wardrobe and I build around emotions.”

Hamilton is almost emotional about the styles she has witnessed in the UK. “People in England just have a sense of their own style and they have and individual look as oppose to that cookie cutter look.”

Experiment

It can be hard for parents to admit that their child is growing up and leaving the cookie cutters behind. Sometimes we forget how much expression is a part of growing up. Hamilton say’s: “In 2011 I think a girl should be as expressive as she wants to be. If parents are more conservative they will guide their child in that direction. But I think that sometimes as parents we tend to impose on our kids what we feel and I think it’s important to listen to our children and keep an open mind. If they want to dye their hair flaming red; they’re six-years-old, you find a middle ground. Instead of dying her hair red like coolade, do a few streaks and play around. If a child wants to experiment with colour, instead of going full on with a permanent colour, you can experiment with cellophane and semi-permanent.

“Don’t give your ten-year-old daughter weave down her back but if she wants hair falling down her back, think about having braids. Find the middle ground in creating an age-appropriate style for a child.

“I definitely encourage parents to find some way that their kids can express themselves in beauty as opposed to in other ways. When kids don’t get what they want one way they go in another direction.”

Attitude

I love my hair

I love my Hair: TM and © 2011 Sesame Workshop. All Rights Reserved. Photographer: Zach Hyman.

In October 2010 the I Love My Hair song debuted on an episode of Sesame Street. The unnamed puppet with an Afro who sang an ode to her hair became an Internet sensation.

Joey Mazzarino, the head writer of Sesame Street, was inspired to write the song for his adopted Ethiopian daughter, who he noticed had reservations about her hair. Though the song touched adult and child alike in the virtual community, in the real world there continues to be conflict about definitions of ‘good’ hair.

Hamilton sees a correlation between hair and self-esteem. She says: “With your kids, you always need to let them know that what they possess is amazing and beautiful. Work with what they have instead of trying to get something totally different and teach them to love their own hair and to love themselves.

“I have clients that are in their forties that have had a relaxer since they were twelve-years-old and when I try to tell them well ‘let’s try something different’, they look at me like I’m crazy. Ever since they were twelve-years-old they were brainwashed that having kinky hair is not beautiful. So for me to suggest that to them at forty is like oh no! So if you start from when they’re young then you won’t run into these problems when they are older.”

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The UK Corner concert review: Fantasia @ Indigo2

Following PAs by Cherri V, Raymond & Co and Cynthia Erivo, at 9.45pm, fans may have feared that Fantasia wasn’t going to provide value for money but her set made the hour and 15 minutes that she was on stage seem elastic.

In an understated summer dress, Fantasia left the little black dress to her backing singer and kicked off her shoes though she temporarily left on her bling. Her comfortable look may fuel rumours that she is pregnant, but the way she bounced around the stage until her petticoat was showing may suggest otherwise.

Opening the set with Free Yourself followed by Man of The House, Fantasia soon had the crowd energised. With her warm and humorous girl next door attitude, Fantasia gibed about the security railings which separated the fans from the stage saying that she had threatened to walk off stage the last time she saw them.

She was in no mood for distance as she launched in the Motown tinged Collard Greens and Cornbread. This only got the crowd hungry for more of her heartfelt soul. Her facial expressions alone proved how much passion Fantasia was putting into her performance.

Fantasia

Fantasia

iPads and mobile phones tried to capture the moments but Fantasia has talent that is uncontainable. I entered the gig not knowing what to expect. Being impressed by her first two albums and her performance on American Idol, after all the gossip I’d seen about her online, I had forgotten what had made her famous.

What was special about her set was the sprinkling of odes to the music she had a personal connection with. From fragments of SWV’s Rain to Missy’s I Can’t Stand the Rain. This meteorological theme may symbolise the torrential weathering that Fantasia has endured.

But as in life Fantasia played on emotionally singing autobiographical material such as I’m His Only Woman through trembling lips. Fantasia came determined to satisfy all extremes of her diverse audience so it should perhaps be no surprise that she performed Prince’s Kiss. This was the perfect soundtrack to her jamming session and reason enough to kick off her shoes.

With the party truly started, she continued with her own material including the popular When I See You. Acknowledging those in the audience who like to be coy in showing their appreciation, Fantasia was underscored by her first cousins K-Ci and JoJo’s Get On Up, which was mixed with Overnight Scenario. This was followed by a snippet of Soul II Soul’s Back to Life.

Fantasia

Fantasia goes all out!

Fantasia’s vocals were superb and all the more uplifting to hear knowing she had survived a tumour on her vocal cords. Despite the odd sound problem, she shined as she continued with Teach Me and more jokes! She easily built a rapport with the crowd who were moved by her stirring rendition of Bob Marley’s No Woman No Cry, which was all too short.

But Fantasia has her own quality material to perform not least the Grammy award winning Bittersweet, which won her the Award for Best Female R&B Vocal Performance this year. Having arrived on stage with Grammy in hand, Fantasia had set the tone for an outstanding night.

Before the night was out she promised to take the audience to church and with I’m Doing Me, she did, after proclaiming that she no longer lives her life for folk! Her songs take on quite the confessional edge and she professed that she did not need a microphone as she gave her testimony. She really brought the house down when with a tearful and spine-tingling rendition of Even Angels.

To warm us up, Fantasia took us back to her first album to get up-tempo. Though she professed that the men in the audience may not like the song, she committed to her performance of Baby mama to the delight of the women in the audience. Perhaps to win the men back over, she sought a man to hold her, but when the offers came in she shied away saying she was ‘scarred’!

Fantasia

All eyes on Ms Barrino

She briefly went back to her Idol days with a too short performance of Summertime but as a silver lining to this cloud, her next song was the hit single Hood Boy. Having earlier hinted to her opposition to being separated from her fans, Fantasia got off stage to take photos and sing directly in front of the first row.

This was a polished set; Fantasia’s only failing was that she did not name check her extensive band featuring (two male and one female) backing singers, two keyboardists, a drummer, a guitarist, a trumpeter and a saxophonist, who like sorcerers, further fuelled the magic.

Copyright © 2011 The UK Corner. All Rights Reserved.

posted by The UK Corner in Music and have Comments (15)